Scenes from a Marriage (1973)


Sometimes it grieves me that I have never loved anyone. I don't think I've ever been loved either. It really distresses me.

We're emotional illiterates. We've been taught about anatomy and farming methods in Africa. We've learned mathematical formulas by heart. But we haven't been taught a thing about our souls. We're tremendously ignorant about what makes people tick.

I can't abide this cold light directed on my every endeavor. How I battle with futility.  I try to cheer myself up thinking "that life is what you make of it". But those are empty words. I want something to long for. 

We're pitiful, self-indulgent cowards that can't connect with reality and are ashamed of ourselves. 

I have a mental image of myself,which doesn't correspond to reality.

I have the capacity to love, but it's all been bottled up. The life I led has stifled my potential. The time has come to change that. The first step is divorce. My husband and I block each other in some deadly way.

Something peculiar is happening. My senses, sight, hearing, touch are starting to fail me. Say this table for example, I can see it and touch it. But the sensation is diminished and dry. It's the same with everything. Music, scents, faces, and voices. Everything seems puny, gray, and undignified. 

I turned and looked at the photo of my class at school, taken when I was ten. I seem to detect something that had eluded me previously. To my surprise I must admit that I don't know who I am. Not at all. I've always done as I was told. As far as I can remember, I have been obedient, well-adjusted, almost meek. My entire upbringing was aimed at making me agreeable. 


Actually, I could quote more if I want. But these should be enough. From my very first Bergman film, Persona, I find his films so quotable, so touching, so real, so powerful, so poetic, so close to our human emotions. Because this is what Bergman is interested in - humanity.

This film is one of his most approachable film. Unlike other films I have seen of his, there isn't any dream or fantasy sequence. Basically just two people talking for nearly 3 hours long. This film was originally a six-episode TV series total of 295 minutes broadcasted in Sweden cut down to 167 mins.

But, oh my, how honest, heartbreaking, true, and tumultuous this film is. To see a Johan and Marianne in and out of a relationship over twenty years, experiencing all the pain, loss, love, hate, anger, jealousy, denial, sadness, and so on that finding one's soul-mate brings, stretched out long-term. I personally felt very connected with the characters in the film and Bergman himself. I have read his autobiography. I can see how Johan is the reflection of Bergman himself.  He poured his soul into films, and wrote this epic house drama from his own personal experiences in five marriages. This is the best a drama could get, not a twisted ending.

Bergman gets my tears everytime...


Amarcord (1973)


As always, I can't explain how i enjoy Fellini's film.
It's too intimate, too massive, too unrealistic, too much.
But that's the way I love Fellini's works.
It is indeed "The Fantastic World of Fellini!"

Amarcord (1973)

"Our music is dope"

just finished reading two jj interviews.

vlad is hurt. see Warmer Climes.
first at all, i give credit for vlad for posting mixtapes.
as a enthusiastic music fan, i'm just so happy to know what my favourite musicians (see? i'm not using heroes. " take no heroes, only inspirations") are listening. especially those musicians who are mysterious. and i want to be friends with them! but i know i can't. but it's okay. i can live with that. i'm perfectly happy to just sit back and enjoy the pure joy of music in the little corner of mine.

it's true, jj no° 3 ain't as splendid as jj no° 2. but we can't blame jj for that. if they want to put out an album like this, it's their own choice. we,  consumers can choose to take it or leave it. anyway,  i'm not here to compliant. i'm just so happy to hear any of their new music. still, i hope jj no° 4 will be double as good as  jj no° 2.

also saw this interview.
this interview resolved some of my clouds of wonder about the band. still they don't give away too much of what they do, or why they do. it is the way it is. an interesting read for fans of jj. btw, they mentioned they have grand plans for future live performance, damn, i'm dying to see it.

pure shores

あの夏、いちばん静かな海


這個日本版的海報還蠻特別的,通常都是上面那張。
原本的海報很棒,兩個人面對著一整片藍的天空和海洋。

這部電影一個很有趣的地方就是,北野武的編劇和剪接。
故事其實很簡單。但是他剪接的手法,會讓觀眾去猜測然後才慢慢得揭曉謎題。像是一剛開始,這個女生跟男主角是甚麼關係?兄妹,朋友,情人,夫妻?答案要到電影演了一半才會揭曉。同時男女主角都是不說話的。兩個人的關係就像小朋友一樣單純。如果沒有看這部片,我想我已經忘了單純是甚麼樣的感覺了。有時候我想,沒有語言的世界會比較單純。因為這樣就沒有謊言了。久石讓的配樂或許就是這部片的語言。他說出了這部片的心情,一個純真,樂觀得心態。看這部片真的完全不會心情不好。我想跟配樂有很大的關係。就算是回憶的片段都是愉快的。

看這片的時候,我一直想到另外一部片。碧海藍天 (The Big Blue)。兩部片的相似處有太多了,連音樂都蠻像的。我想北野武應該有想要拍出類似海洋的感覺,不過是以沖浪者的角度,而不是淺水者的角度。總之,兩片都有很多很美的海洋,我都很喜歡。

A Scene at the Sea (1991)

Wish You The Best Of Everything

‘It’s over before you know it
It all goes by so fast.
The bad nights take forever
And the good ones don’t ever seem to last.’

- ‘The Best Of Everything’ Tom Petty